Not all Villains are Ugly (And Not all Heroes are Handsome)

In an effort to move with the times, Horowitz (who is somehow still producing Alex Rider novels) has decided to make his villains “perfectly ordinary”. Which is fine- every writer is entitled to state banal and bland missives to get attention for a series that has frankly gone on too long. Yet something about this doesn’t sit right with me- particularly after the Dahl debacle.

You see, much as it’s an interesting point… it’s not entirely true. As common as the hag or inhuman villain is in fiction, it is equally likely to find an alluring adversary. Fiction, particularly children’s fiction, is one of extremes. Stories are illustrated with vivid visuals of beautiful maidens and ghastly dragons. It is full of the exceptionally beautiful and the terrifyingly off-putting. Quite simply: not all villains are made ugly- for a reason. They would lose all power if a wicked person could be identified at a glance. There is a reason the idea of a simply hideous villain has moved into the realms of parody and humour- and I’m afraid Horowitz is a little late to the party with his statements.

Horowitz’ premise can further be dismantled by the Beast motif- which is so deeply embedded in romance and fairy tale genres. The idea that a character may not be what they seem from appearances is a penetrating message. We see the moral not to judge what we see as far back as the Wife of Bath’s Tale. We see in more modern fantasies, such as Echo North, unconventional heroines bearing scars. Even the likes of gothic novels, like Frankenstein and Dracula, deconstruct the concept of beauty and evil. Evil does not always come from where you might expect. Playing with the concept of so-called ugliness is present in many-a tale.

I’m certainly not saying we need more ugly villains. What I object to is this sense of unreality in literary discussion. Really, this seems like a meaningless bit of virtue-signalling rather than an attempt to stifle creativity- yet this point-scoring in the “I’m a good person” game gets us nowhere. If we are to have real debates about appearances in fiction, can it at least be based in fact? Thanks!

Alrighty then- what do you think of Horowitz’s views? Let me know in the comments!

The Scary Truth About the Publishing Industry: Cancel Culture Has Won

It’s free speech week again… and I’m feeling stumped. Not just because my inactivity on twitter means I’m not privy to the latest gossip of who’s been cancelled. And not because I’m out of ideas. It’s because when I think about this topic, I feel my heart sink. Because not much has changed in the years since I’ve been writing about this topic. Authors are cancelled, threatened and attacked by the “virtuous” online… and too few seem willing to stand up to them.

More and more, I’ve observed the culture of fear that exists in publishing and writing communities around the world. Say or write the “wrong” thing and your career will be over (sometimes before it has begun). Heck, you don’t even have to say or do anything at all. Sometimes, as was the case with Zhao, you can write a book that no one in their right mind would deem offensive and be cancelled just because the mob was hungry that week.

A lot of the time, people deny that anyone gets cancelled at all (never mind those who have lost their jobs or had contracts cancelled) because some people are too successful for them to destroy. Which actually says a lot about them and not about those they wish to cancel- imagine seeing it as a mark of success to destroy someone’s life and measure your success by how much you’ve made them suffer!!

When I voice my fears (on a personal level) I have been told to just ignore it and carry on. Don’t engage. Don’t worry. Don’t think about it. But the problem is not speaking about it gives one group of people all the power. And those people seem very happy to use that power like a battering ram.

Honestly, I don’t blame people for letting it go under the rug. It’s become such an insidious part of online culture that no one talks about it anymore. It’s there, we know it’s there and there’s nothing we can do about it.

… Except that there is. Instead of going along with the crowd when someone tries to ban a book, you can lead a silent rebellion and read it for yourself. You can review it, you can share it, you can quietly display it without comment (if you happen to work in a library and happen to have a lot of Salman Rushdie books to hand 😉). Read the books that are dangerous, that are questionable (or even that were written by a dead Russian because somehow that’s offensive too). No one can crush creativity forever if you refuse to comply. Go forth and read naughty books! 😉

What do you think? Am I being too pessimistic? Or hyperbolic? Let me know in the comments below!

New is Not Always Better- Hollywood’s Butchery of Good Stories

Obviously, there are a lot of amazing adaptations out there. Some faithfully manage to take the source material and transpose it into a new medium; some even manage to improve upon the source material. BUT there is a reason why whenever I hear a beloved book is being adapted to Film/TV, I have to gulp back my fears. Because for every good adaptation there seems to be another atrocious one (for the sake of my credibility, I have to add that I have no actual clue what the ratio is for good/bad adaptations 😉). Of course there are so many aspects that go into an adaptation that I cannot possibly cover them all- so here are just a few recurring issues that really, really bug me:

anne with an e#1 The first (and possibly biggest) issue is that the writers have no real interest in adapting the original story. Now, I’m not just talking about fanficy nonsense (*coughs* “Rings of Power” *cough cough*)- I’m talking about versions of the story that entirely fail to capture the spirit of the original. For me, the most common mistake is taking light and frothy stories and turning them dark and gritty and intense. Yes, programmes like Anne with an E may get praise for being a bold take… I found it lacked the charm of Anne of Green Gables and thoroughly put me off. While it may not seem like such a big problem to greyscale your colour palette and throw in a few grim visuals, what you actually end up is a jarring adaptation that muddies the waters, loses touch with the original themes and has me yelling at the screen “tell your own damn story!”

little women 2019#2 And while we’re on the topic of poaching, I’m also not a fan of Hollywood’s obsession with “modernisation”. History is often messy and uncomfortable and something we can’t relate to- and yet rewriting the past seems like an awful solution. Culprits like the 2019 Little Women seem to care that turning most of your heroines into modern women seem entirely out of step with the time period, thereby making it detached from the original. They only seem to care about their own performative activism.

guernsey literary#3 Which leads me onto my next criticism of Hollywood’s latest spate of adaptations: political overtones. Because Hollywood writers seem to think that breaking the fourth wall to have your characters give a “right on” speech is good writing. Besides being preachy and ridiculous, it’s not a substitute for decent characterisation. When the main character in Guernsey Literary and Potato Peel Society gave a “feminist” speech, it did not make up for stripping this strong heroine of her moral compass and personality (incidentally, this was an example of a middle-aged bloke interpreting a character created by women… and it shows). This is a heroine that went from being spunky, decisive and independent to a demure creature who finds it impossible to choose between two potential husbands, only getting her “you go girl!” moment because she points out female writers exist. *Slow clap* for that.

big little lies tv#4 What makes it worse is the imposition of a faulty morality on the story. Because if I had a penny for every story with *bonus cheating/marriage-falling-apart/general relationship dysfunction* thrown in, I’d be a wealthy monkey. The fact that Hollywood seems so opposed to portraying healthy relationships onscreen is alarming. Even if one couple in a story are vaguely functioning, the adaptation has to throw in some bigamy to “spice things up”. Like the only healthy relationship in Big Little Lies now having an affair at the heart of it. Hollywood’s interpretation: marriage sucks. Message received.

always and forever movie#5 Oddly, the flipside is also true. As much as Hollywood cannot give a married couple a break, they also LOVE to turn the “glitzy” dial up to eleven. Is the book about getting into college like Always and Forever, Lara Jean? Well, better make it an Ivy League. Does the book have a plus-sized protagonist like Ready Player One? Then they have to be skinnier than average. Is your character talented in any way? Time to shoehorn in a CHOSEN ONE TROPE (still cannot believe they applied this logic to Peter Pan of all things). It gives me emotional whiplash how quickly Hollywood can turn from cynical to HYPERACTIVELY UNREALISTICALLY OPTIMISTIC!

valentine city of bones#6 Annnd I’ve managed to get to the end of this post without mentioning the decisions that were just plain weird. Sometimes, writers are just ill-equipped to deal with the source material (and that’s why we end up with Game of Thrones season 8). And sometimes, they don’t even appear to like what they were working on and decide to do something that truly bizarre (the leather-clad-lunatic Valentine from City of Bones springs to mind). Sometimes, I get the impression they didn’t want to adapt the original story at all (okay, I swear I’m going to have to do a whole post on Rings of Power at some point).

Really, when I think about this list, I’m even happier that so many good adaptations exist- because it’s remarkably easy to eff it up! Or maybe I just shouldn’t be so fussy!

What do you think? Do you feel the same way as me? Do you have any gripes of your own with Hollywood adaptations? Don’t leave me hanging!

Books Set in the Pandemic- yay or nay?! Discussion inspired by Pages Unbound

Last month, I read a brilliant discussion by Krysta @Pages Unbound about why she won’t be reading books set in the pandemic and it got me thinking… do I feel the same?

When things first kicked off in 2020, I definitely did. Pandemic books seemed like poor taste cashgrabs and I felt awkward about reading them. I favoured books with heavy doses of escapism and distraction. And while I was drawn to older books set during pandemics- I didn’t actually end up enjoying them. I realised quite quickly that it was the wrong time for that sort of thing.

AND YET- I still hesitate to say I don’t want to read books set in the pandemic. Because as time has dragged on, I’m being to feel like a lot of books have this gaping hole where COVID should be. As much as I don’t want to be reminded of the crap that’s going on right now… I also can’t deny that it’s happening. I feel like it’s beginning to feel a little weird to have this MASSIVE global event not mentioned at all. And, to my mind, contemporaries and thrillers set in 2019 is only going to work up to a point (especially when we as the readers are suffering from the dramatic irony that none of the events of the story will matter a few months after its set…)

Realistically, it may be impossible for authors *not to* mention it. After all, writers love to dissect the world through literature- and it would be absurd if this was the one time in history that didn’t happen. If people could write about world wars and oppression and other unspeakable horrors while they were happening- why not this? It not only serves as form of catharsis, but also a historical marker to have fiction written about events as they unfold.

Perhaps there is a comfortable in-between- I’ve already started to see some recent releases that quietly mention the pandemic and then move on. It doesn’t have to be a big part of the story or detrimental to the plot or even that big cathartic moment I’ve been talking about. Only, it is there. And that may be what I’m looking for. Because while I think I will need books on the pandemic soon… it’s probably fair to say that it’s “not this day”.

That’s all for now! I HIGHLY recommend checking out Pages Unbound’s take and their blog for more fantastic content and deep discussions!

And I’m super curious to hear what you think? Do you want to read books set during the pandemic?

Why Libraries Matter

I’ve been meaning to write this post for ages, but found it hard to start, because of course libraries matter, ISN’T THAT OBVIOUS?! Yet, a lot of the time libraries seem to go under the radar… or worse, when they do get attention, it’s for terrible reasons (ie experiencing ruthless cuts). But working in a library during the pandemic has made me acutely aware of just how vital libraries are. Seeing how much people have missed being inside and feeling that spark of joy being back, I understand more than ever why libraries matter so much. And it’ll be my pleasure to share some of those reasons with you now!  

#1 Libraries are a hub for the community. Anyone can join the library and use its resources. It doesn’t matter who you are or what you’re there for- everyone’s welcome 😊 The are a beautiful (bookish) sanctuary from the outside world! Which is especially useful for shy bookworms 😉

#2 They provide place to work. Granted, this has not been quite the same for a lot of libraries in the last year, but libraries generally provide study space, wifi and computer access- all of which is so important if you’re from a low-income background or struggling to find room to work. I know this was really significant to me as a teen and a young adult. Libraries make such a difference for so many people.

#3 FREE BOOKS! I mean, you knew I was going to put this in here, didn’t you? 😉 Because what is better than free books?! I know I could never feed my bookish addiction without the library. Every year the number of books I borrow goes up. And it’s looking like the same is true for everyone that’s been borrowing at a rate of knots during the pandemic. Plus, it’s not just a great idea to borrow for leisure, because there are plenty of educational books too! You can learn about everything from knitting to ancient Chinese philosophy to law!

#4 Oh, and while we’re on the topic, there are other free resources. With a library card, you can get access to online resources like Borrowbox, Libby/Overdrive and more! You can also get access to online subscriptions (like Which) and a whole host of other things. Personally, I’ve missed out on these in the past, because I didn’t know they were there… so if in doubt, just ask! (Particularly in the pandemic, when libraries have been offering freebies like lending DVDs).  

#5 They provide fun activities– particularly for children. Obviously, this has been scaled back and mostly online because of that thing-that-happened-in-2020-which-we-won’t-talk-about. BUT these are due to come back with a vengeance soooo watch this space (/check your library website 😉)

#6 Finally, and my personal favourite, you can get ideas about what books you might want to read! Lots of library staff can tell you what’s new, what’s exciting and what you might like based on your taste. One of the biggest perks of the job for me is finding books that readers will love- I always enjoy this question- and actually wish more people would ask!!

And that’s all I have for now! Though I’m sure there are plenty more reasons I missed! What do you think? Are libraries important to you? And why? Let me know in the comments!

Does Book Twitter Actually Reflect the Reading Community?

Every year in free speech week, I try to exercise my freedom and talk about aspects of this (apparently contentious) topic. Yet this year I want to do something different. Not because we have reached the zenith of free speech- far from it. Despite the job losses, tragedies and general morose of 2020, the Twitterati have nothing better to do and have been busy cancelling, well, anything and everything. Which is why I wanted to talk about this tweet:

Maybe (most likely) it’s just my confirmation bias talking, but I think it’s such an excellent point. Disclaimer for book twitter: there are some nice little bubbles where you can play around with likeminded people (/primates)… Buuuut it’s not all fun and games. Twitter is kinda known for how toxic it can get. While it’s not the only place cancel culture thrives, it’s certainly one of the hotspots. I can’t tell you how often I go on twitter, see people congregating round an issue and think “oh no, who’s getting cancelled today?” Even if it’s a case of valid criticism, the platform doesn’t exactly lend itself to nuanced conversation and this leads to things getting heated pretty fast. And too often publishers get a whiff of the smoke and are scared off- but this needn’t be the case.

You see, (and forgive me if this is obvious) twitter is not reflective of the public at large. This is hardly a revelation. Looking at just some of the research (focusing on the States, given that 70% of users are from there… which you should bear in mind if you’re from outside the US like me), most twitter users in the US are more likely to have a college degree and have a higher income than the national average. Just 20% of US can be classed as active users (ie go on the platform once a month)- and of that number 80% of tweets come from the most active 10%. Meaning we’re only hearing from about 2% of the population. It probably isn’t any wonder then that (and many people will hate me for saying this) twitter often strikes me as an elitist club. As much as people claim that twitter is designed to give a voice to the voiceless, that it’s a great way for the powerless to have some power for themselves, that the gangs running rampant on there are noble “working class” vigilantes… I can’t see any evidence it’s representative of this. Observationally, I’d say the vast majority of big users are marketing/PR people, the so-called faces for faceless corporations, journos, professional activists and politicians. Ordinary people (ie consumers) aren’t represented on there for the most part… making me question, why is it taken so seriously?  

Time and again, it’s proven to not be a good source for elections for instance (which makes sense, given that even if a politician gets 100,000 likes, this isn’t a huge number considering… especially considering this can come from a global audience). Likewise, buzz on twitter doesn’t mean much- as excitable as twitter can seem about a reboot, this may not translate to actual fans buying tickets.

Similar logic can be applied to book twitter. A lot of readers don’t hang out on twitter. As the above tweet shows, it’s not necessarily going to reflect how well a book performs (especially since big names are so often targeted). It’s always been pretty debatable whether this particular platform even sell books. Anecdotally, I can also say that a lot of readers see the fires burning and run away. And even if they do stick around, a lot of people don’t want to get into the middle of a confrontation (giving the false impression that the debates are one-sided).

Which is why I wish publishers would take twitter with a pinch of salt. Instead of going off how angry someone can get in 140 characters or how many clapping emojis a person can use in one go, maybe just maybe, they can hold their nerve and wait for the general reading public to vote with their wallets. Maybe it’s time we ignored the drama flaming on twitter.

Ooh err, hope I don’t get burned at the stake for this one! 😉 But given I do actually like free speech- I’m open to hearing your thoughts! What do you think about book twitter? Do you think it’s representative of the reading public? Let me know in the comments!

My Pratchett Journey- So Far… A Love Story

booklove orangutan.png

I’m absolutely giddy for today’s post! Because today, on the day of love, I’m going to tell you the story of how I fell head over heels with Pratchett books. Believe it or not, I wasn’t always the giant orange monkey you see now. In fact, once upon a time when I was a wee uni student, two of my closest friends (hi if you’re reading!) were astounded to find that I was a barely familiar with the Discworld. Sure, I’d heard of Pratchett (who hasn’t?)- I even had vague but pleasant memories of The Wee Free Men from when I was younger- yet I’d never launched fully immersed myself in the wackiness of Pratchett’s universe. That, of course, was a mistake 😉

“The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it”

mort nice editionBecause I knew, the second I started reading Mort that I was reading something special. And, incidentally, so did the rest of my train carriage, where I sat for four hours, smothering laughter through my hand. I instantly fell in love with the humour. I mean, even years on, I still find myself randomly cracking up over the Great A’Tuin- a giant turtle hurtling through space with four elephants resting on its back which support the Discworld… Seriously, I just finished that sentence and I’m laughing again!  Really the jokes and wit *never* gets old.

“Build a man a fire, and he’ll be warm for a day. Set a man on fire, and he’ll be warm for the rest of his life.”

“Apes had it worked out. No ape would philosophize, “The mountain is, and is not.” They would think, “The banana is. I will eat the banana. There is no banana. I want another banana.”

“In ancient times cats were worshipped as gods. They have not forgotten this”

hogfatherSoon I’d leapt into the rest of the series- in fact the Death series ran away with me- I couldn’t stop with that one. I absolutely loved the quirks and eccentricities of the entire world- not least of the characters! I still chuckle over the fact that Death enjoys a good curry- that is so quintessentially English and I love it!! (chicken tikka masala is the national dish after all). Plus, oh my goodness, the stories are so unconventional! If you’re looking for a different Christmas story, you won’t get anything better than the Hogfather.

“Human beings make life so interesting. Do you know, that in a universe so full of wonders, they have managed to invent boredom”

witches abroadAnd actually that leads me onto the pure genius of the ideas. Not only is Hogfather a lovingly satirical take on the way we all act around Christmas, but it also gets right into the heart of the love of stories. Actually, this is a running theme with Pratchett- and is especially noticeable in the witch’s plots, such as the play with fairy tales in Witches Abroad and the *double double toil and trouble* Shakespearean mischief of Lords and Ladies. It’s this complexity and depth which makes the series *so awesome*.

“HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE.”

going postalAs you know, I absolutely *love* satire, and this is such witty and intelligent fare. And on such varied topics as well! Sometimes it’s simply about some good fantasy tropes like dragons in Guards, Guards. Sometimes it’s on a much larger scale, like questions around war, in Jingo. And sometimes books like Going Postal are just about that weird British obsession with the post office dammit- incidentally this is one of my favourites and the only one I’ve reviewed.

“What kind of man would put a known criminal in charge of a major branch of government? Apart from, say, the average voter.” 

guards-guardsAnd yet there’s more to it than all that. Over the years, I’ve fallen in love time and again with so many bonkers, wacky and fun characters from the series! If they were simply flat archetypes for satirical fodder, they wouldn’t be half as endearing as they are. But no! They are so much deeper than that. Death, the anthropomorphic personification of death, doesn’t just exist as a vehicle for the plot- NO!– he actually comes to learn about and sympathise with humanity. Vimes, the slightly world weary copper, who manages to upstage everyone with his unbending sense of right and wrong. Granny “I can’t be having with that kind of thing” Weatherwax, who takes common sense to a whole new level. Vetinari is the kind of despotic politician I can admire (thank you Sir P for giving me the opportunity to utter such odd sentences). Then there’s other favourites like the Death of Rats, Susan and Moist. And lastly, but certainly not least…

“Ook.”

unseen academicalsThe Librarian- who inspired me to create this blog! For those of you who don’t know, the Librarian is one of my favourite Discworld characters. My monkey owes its existence to the great big monkey in the sky… or something (*ahem* that sounded more poetic in my head…) Say hello to my little friend!

“If you try to to take my bananas from me, I will reclaim them from your cold dead hands.”

shepherd's crownAnd so we’re coming to the end of my journey so far… And the fact that I can say “so far” is something else that I’m happy about. Because, as I mentioned a couple of weeks back, I’m not done yet- and that only makes me more excited!! I have heard so many wonderful things about books I haven’t got to- not least the Shepherd’s Crown– and I’ve got to say I can’t wait!

So have you read Pratchett? Are you inspired to pick any up now? Let me know in the comments!