Classic Spooky Reads that *Gave Me the Shivers*

spooktacular reads

Hello all! Just a quick post today to celebrate spooktober! In the last year (and beyond), I’ve been reading quite a few classic spooky read and some of them really hit the spot (and by hit the spot, I mean made my blood run cold, freaked me out and made me duck under my duvet for cover!) Here’s some books you may have heard of that really live up to the hype:

we have always lived in a castle

We Have Always Lived in a Castle– oh man, Shirley Jackson reallllly nailed the creepy vibes with this one. The mystery builds and builds and you don’t get total closure… which is exactly how it should be in the best scary stories! Speaking of which…

turn of the screw 2

Turn of the Screw– this is one of the *best* gothic tales I’ve ever read and there are multiple ways to read it. Ambiguous, brilliantly written and so terrifying I had to turn on my big lights so I could finish it!

the woman in black

The Woman in Black– ooh this one was freaky! This ghost story will definitely keep you up at night. An unsettling mist descends from the moment I turned the first page and doesn’t let up until long after you’ve turned the last. I’m just hoping she never makes an appearance in my life…

rebecca

Rebecca– on the note of enigmatic women, the titular character is too dead to make an appearance in this book, yet that doesn’t stop her making her presence felt 😉 This book has a hint of the gothic and is a wonderfully atmospheric read!

haunting of hill house

Haunting of Hill House– this was another solid book from Shirley Jackson and perfect if you’re too chicken to check out the Netflix version (like me 😉)

wieland

Wieland– this is a weird book… and yet isn’t that perfect for this time of year? A strangely captivating gothic tale, I was taken aback the first time I read it and it still haunts me to this day.

confessions

Confessions of a Justified Sinner– this mad little Scottish classic is a hidden gothic gem and guaranteed to take you to a dark place… which of course meant I had to include it 😉

frankenstein

Frankenstein– in many ways, this isn’t as scary as the other stories on this list. While it does venture into the subject of monsters, it’s more about humanity and hubris and the terrible things we’re capable of… so in many ways it’s the scariest book on this list by far.

jekyll and hyde

The Strange Case of Dr Jekyll and Mr Hyde– coming back to London, this classic tale is pure entertainment and a sign that sometimes the darkest creatures can be closer to home than we think…

And on that note, I’ll be bringing this list to an end… *MWHAHAHAHA*! Don’t know if that’s the most appropriate place for a “MWHAHAHAHA”… Moving swiftly on! Have you read any of these? Do you love any classic scary stories? Let me know in the comments!

In defence of classics- again!

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Prepare yourself, for I am about to say something *ground-breaking*, *momentous*, *lifechanging* even: classics are worthwhile and important. I know, I know, you can stop the applause now 😉 I’m pretty sure I’ve made my defences for classics before and talked about their upsides. Alas- this seems to be the perennial problem of our age that won’t go away. Every week or so, I still see people telling others not to bother reading classics. And I despair whenever I see someone using these horrible, terrible, NOT GOOD arguments. So, it’s about time to put down those swords, grab the much-mightier pen, and let’s break this down, shall we?

“They’re pretentious”- I hear many-a misled individual moan. Here’s the kicker- complex/beautiful/unusual language *is not* automatically pretentious. In fairness, I think there are multiple reasons for this misbelief, starting with the fact that they can be written in archaic language, which is less accessible to the modern reader. Now, where the mistake is being made is that using complex words and a style from 200 years ago DOES NOT mean the author’s intent was to impress upon you its importance in some hoity-toity way. Hard for the modern reader ≠ pretentious. A lot of classics were aimed at the “mass market” (as much as that existed) in the same way a popular paperback might be today. It is a truth universally acknowledged that poor people went to see Shakespeare back in the day 😉 This is not to say that there are no pretentious classics- BUT (and this will come as a shocker) classics are not all the same and come from a range of genres- as was brilliantly pointed out by Pages Unbound.

“There’s no benefit/it’s the same to just watch the movie”- erm no. I mean, I’m not sure I have to explain the difference between reading a book and watching a movie to a bunch of bookworms 😉 Let’s just say, I think we can all agree that there’s endless complexity when it comes to books, it stretches the brain and this is particularly important when it comes to children’s development. Because, yes, classics may provide more of a challenge, but that is really beneficial when it comes to education. You wouldn’t expect an athlete to get better only competing at the lowest level. The language of classics alone often makes a huge difference as well- you can’t just cheat the system by brushing up on sparknotes. There are so many literary devices that you miss if you don’t read it on the page. I’ve heard it said recently the difference is much like looking at a photo versus a painting- the depth is so much greater when you can see the layers for yourself.

“They’re elitist”- seems to be a very pervasive point of view at the moment. Unfortunately, it hurts the very people it pertains to help. Somehow, it’s supposed to help people from lower socio-economic backgrounds to tell them they don’t need to read classics- yet in truth this race to the bottom mentality stands in the way of self-improvement and stops poorer kids from levelling the playing field. Not only will it be impossible to out-compete people who have top-notch educations with this attitude, but it also means our societies will be less educated for it. In the words of headteacher and founder of the Michaela Community School, Katherine Birbalsingh “They are denying a decent education to black kids, because being able to understand Shakespeare is a right that my kids deserve and knowing who Mozart was and hearing his music is a right that they should be able to access.” We should be fighting for underprivileged kids to get good educations, not standing in their way! And on that note…

“They’re all written by old white men”- ahh the criticism that historically speaking Europeans were European. Aside from the what do you actually expect to come out of Europe? counterargument, I do think that there’s other problems with this outlook. One, you may need to re-examine the last few hundred years of the European literary canon; two, I will always advocate expanding your horizons and considering reading *outside* the Western canon. Go on, I dare you 😉 Though there are benefits of reading in the original language, which I’ve mentioned, you can still get access to the ideas and learn something new. But, even if we were to assume all classics were written by “old white men”, it doesn’t actually reduce their merit, make them less valuable or stop them being important for the reasons already stated.

“They put children off reading”- well, I wouldn’t say this is true for a lot of children, as Briana @Pages Unbound wrote about in: “Why I fell in love with reading because of old boring books”. I feel much the same way and many, many literature students will tell you the same thing. Unfortunately, I can’t say that every teacher will be brilliantly inspiring. Plus, there is always the matter of personal taste (although I will urge people put off by a few books not to throw out the baby with the bathwater). Now everything I’ve said so far might indicate that I want children reading classics, whilst playing the violin and sipping tea. Truth is though, I prefer to take the middle ground when it comes to the “what kids should be reading” debate. There should be a balance in children reading for pleasure and for educational purposes. As Krysta @Pages Unbound pointed out in her post “The Unacknowledged Nuances in the Argument for Choice in School Reading“, left to themselves, children will never pick up certain types of books and will nearly always go for the easy option. While it can seem quite prescriptive, the real trick with reading lists is to find a balance- a lot of teachers try to find a mix of well-written/enjoyable/imaginative reads etc. But they’ll also understand that there have to be progressively more challenging books. After all, in the words of George R R Martin:

a mind needs books like a sword needs a whetstone

Classics are the *ultimate* whetstone. And on that weird analogy, I’d like to ask you if you think classics have value? What other defences do you have? Let me know in the comments

Where I recommend books everyone hates…

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Okay, hate is a strong word. And, I guess it’s fair to say that not everyone hates these books. Nonetheless, these are the books that I see getting *a lot* of bad reviews and have lower ratings than I’d expect… which unfortunately can really effect whether some people (*coughs* me included *cough cough*) pick it up or not. Now obviously what’s considered a low rating is pretty subjective- so I just used the magic of GR to organise my books by ratings and picked the ones where there was the biggest discrepancy.

facing the light

Facing the Lightrating 3.49– this one has the biggest difference between my rating and the general consensus. I like to think that the main reason for that might be because it’s not all that well known and the limited number of ratings are skewed because of that. Either way, I genuinely thought this was an intriguing and captivating book that deserves more attention.

broken things

Broken Thingsrating 3.6– I often consider Lauren Oliver underrated famous author- because she always has great sales, but mixed reviews. Anyway, you might remember my fairly recent review where I talked about how completely brilliant I found it.

hazel wood

Hazel Woodrating 3.62- while this isn’t the lowest rating on the list, I do unfortunately see a lot of negative reviews for this, particularly saying that it “wasn’t worth the hype”. Now that hurts my soul a little cos I genuinely loved. Here’s the thing, I get why this is hit or miss for people. The writing style and pacing aren’t going to be for everyone- BUT I highly recommend giving it a go, because it’s atmospheric, beautiful and deeply rooted in the fairy tale tradition. For its cleverness alone, I think this book deserves to be read.

horrorstor

Horrorstorrating 3.61– this is another one where I understand the hit or miss reviews- annnd totally disagree with them. Say what you want about the abrupt ending, it makes a certain amount of sense to leave a ghost story a little unresolved. Also, this completely delivered on what promised: it was funny, innovative and suuuuuper creepy.

how i live now

How I Live Nowrating 3.58-okay this is the one on the list that I really get why it’s not so well loved. It’s got some deeply shady stuff going on… but for some reason it worked for me. Sure, it’s strange; yes, it’s a little mad- however for book set at the end of the world that makes a lot of sense. Plus, beyond its dodgy post-apocalyptic aura, it’s a story of characters I really came to care for and is an exceptionally moving story. Fair warning, it’s not going to be for everyone- and yet I recommend it anyway.

And now, because Classics don’t always get a fair rep on social media sites/blogs, I’m gonna include some books that get a fair amount of hate, but you should read anyway:

heart of darkness

Heart of darknessrating 3.42– this is by far the lowest ratings I’ve seen for something I’ve given 5 bananas… and I get that. It’s a peculiar book, with somewhat obscure writing and some questionable content. However, once you dig a little deeper and find that kernel of meaning at its centre, you’re sure to have a rewarding reading experience.

turn of the screw 2

Turn of the Screwrating 3.44– I have absolutely no idea why that rating is so low. And I’m stumped by the reviews, cos there doesn’t seem to be a general consensus of why people don’t like it (just lots of reasons I’d put down to personal taste, like writing style, content, etc). So I’ll just say why I do like it. Turn of the Screw is one of my favourite classics because it has one of the best unreliable narrators ever written and the answered of mystery over what the actual eff happened. For me, the unending questions surrounding this book, coupled with elegant prose, makes it a slice of perfection.

canterbury tales

The Canterbury Talesrating 3.49– this is another one that makes me go *ouch* when I look at the rating. Look, I get that it’s hard to read for modern audiences- but to look at it on that level alone will mean you’re missing out on some of the best characterisation in literature!! And some really complex stories! Also, a useful tip if you are struggling with this is to read it aloud.

crucible

The Cruciblerating 3.56– okay, I get that Arthur Miller can be a little on the nose with his messaging. And I’ve been told plenty of times even by fans of Miller that this isn’t his best work- and yet I still recommend it for the tension and drama it produces.

catcher in the rye

Catcher in the Ryerating 3.8– alright, I’m breaking my rules of going based on ratings here, cos it’s fairly high. The reason I’ve included Catcher in the Rye is the sheer amount of hate I see for this book around and how every time I mention it, people say that they don’t. And that’s absolutely fine- I even understand why people hate the protagonist and aren’t crazy about the plot (or lack thereof). HOWEVER no matter the hate towards this book, I think there are things we can all recognise are done well. Salinger’s classic is one of the smartest reflections on teenagehood and an exceptional example of creating a character through voice. Like it or loathe it, Catcher in the Rye can teach you a lot about writing and reading between the lines of an unreliable narrator.

Alrighty then- do you agree or disagree with any of my choices? Do you love any unpopular books? Let me know in the comments!

The Master and Margarita was *MASTERFUL*

the master and margaritaOne of the most curious books I’ve ever read, The Master and Margarita took me on a journey to a place both real and imagined. Whilst clearly evoking the oddities and terror of Soviet Russia, there is also a sense of surrealism that pervades the book and forbids the reader from gaining any sort of even footing in the narrative. The lines between what is reality and what is allegorical are increasingly blurred, making for an impossibly complex narrative.

With many layers to the narrative, I found myself gripped as I discovered puzzle after puzzle: who is the professor? Who is the hero? Who- or what- is the cat? Eventually I began to piece it all together- all the while with a developing sense of foreboding.

Now, though I’ve mentioned much of this book’s hidden depths, it’s important to note that it is better to go into The Master and Margarita as clueless as possible. While it’s good to bear in mind the relevance of the Soviet setting, there is also something timeless about the piece, as it draws parallels between Bulgakov’s present, the demise of Christ and Goethe’s Faust. The time period, as noted in the introduction of my copy, is actually rather fluid- supposedly it’s set in the years of the Great Terror and yet it also very clearly encompasses the period after where the communist rule was more established. More than that, however, the book takes on a distinctly allegorical feel through its extensive use of symbolism, which make it hard to pin it down to a mere reflection of one form of human evil. Yes, it refers to the disappearances and sudden deaths of the Soviet Union, but it is equally a tale of devilish schemes run amok (humorously depicted in an atheistic society).

Of course this is a world where people lose their heads- both literally and figuratively- and yet the narrative doesn’t stop there. The Master and Margarita is at its heart a love story. Surprisingly for such a book, the plot is very heavily centred on romance, perhaps showing how even the purest of human motivations become corrupted by external forces.

This not only adds another dynamic to the novel, but also gives the reader sympathetic characters to latch onto. And it is thanks to this vivid sense of character and place that makes it possible to suspend disbelief and picture this unreal world in its entirety.

Bulgakov certainly brings his almost mythical vision to life- not least with his stunning and strange writing style. The quirkiness of the text is one of its bigger draws and one of the things I loved the most. Again, I don’t think this is something I can describe for you, I just think you’ll have to check it out for yourself:

“The cats sneaking by the veranda had a distinctly morning look. Daytime advanced relentlessly on the poet.”

“What other oddities transpired in Moscow that might not know not, and we certainly will not pry, especially since it is time for us to move on to the second part of this truthful narrative. Follow me, reader!”

“Trousers don’t suit cats, messire,’ replied the cat with great dignity. ‘Why don’t you tell me to wear boots? Cats always wear boots in fairy tales. But have you ever seen a cat going to a ball without a tie? I don’t want to make myself look ridiculous.” 

Ultimately, I think this is one of the most magnificent, thought-provoking and fascinating works I’ve ever come across. It’s one of those books I would recommend to everyone- just so they can experience the magic for themselves:

Rating: 5/5 bananas

hand-drawn-bananahand-drawn-bananahand-drawn-bananahand-drawn-bananahand-drawn-banana

So have you read this? Do you plan to? Let me know in the comments!

All-Time Favourite Classics #4

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Wahey we made it to part 4!! As I said in the first week, I’m going to pause this series after this post, though I’d like to continue it someday. For now though, I’m working with a more “realistic” (*ahem* mostly) theme to round off these favourite classics:

canterbury talesCanterbury Tales– I was endlessly surprised to find how realistic the characters in this were- not least because this was written OVER 600 YEARS AGO! And yet the fundamentals of human nature haven’t changed. What is also incredible is how complex and layered each of the stories are, how they tales interplay with their role in the prologue and how this all builds up the character study even more.

 

great expectationsGreat Expectations– ahh the king of realism- Dickens. And this happens to be my favourite I’ve read so far. A part of this comes down to how much I adore the story- and yet I find that somewhat imperfect- not intentionally so (I just prefer Dicken’s original ending where *spoiler alert* he doesn’t end up with Estella, it made more sense from a narrative standpoint). But mostly, because I cannot get over that image of Miss Havisham, sitting in her wedding dress. It’s both tragic and horrifying.

 

catcher in the ryeCatcher in the Rye– this one will surprise people straight off the bat, because it is such a Love-it or Hate-it book. I for one won’t pretend that I liked Holden Caulfield- in fact I spent a good deal of time disliking him- and yet… there was something so compelling about him. I could not deny the realistic tenor to his character. Nor could I say that I didn’t grow sympathetic to him over the course of the book. That change struck me and took me by surprise- it felt like getting to know an actual person. Yes he may be whiny and difficult on the surface- however strip away the layers and there is so much more to him. So feel free to love him or hate him, but you can’t deny that this book captures something very real.

 

to kill a mockingbirdTo Kill a Mockingbird– I genuinely do not have any words for this book. The realistic characters, the finest fictional father figure of all time, the story, the beautiful writing, the message- ah it makes me speechless. If you do not know why it is on this list, then quite simply you haven’t read it.

 

 

king learKing Lear– okay, yes I’m following with a shall-we-say less good fictional father? (yes, I will admit I didn’t know what book to put next). But on the positive side this play made me cry… wait a second… JK- what I mean is this is a deeply moving play (not that I’m a masochist who seeks out stories that will make me cry… okay I totally do that- whatever 😉 )

 

brothers karamazovBrother’s Karamazov– speaking of dysfunctional families (gosh I ought to make a “favourite dysfunctional families” list) In all seriousness, this book is magnificent- not least because this has some MAGNIFICENT characterisation. I have to say that I love the intellectual tussles between Ivan and Alyosha (#teamAlyosha… which is weird because I should rightly pick Ivan… whatever I’ll psychoanalyse that comment later 😉 ). Incidentally, anyone that knows me might be surprised to have found no Dostoevsky’s my favourites so far- never fear, this part has three- pahahaha!

 

hamletHamlet– but if what you’re looking for is philosophical questions, why not get to the crux of the existential issue. To be or not to be– damn I get shivers from that speech every time. There’s a reason it’s quoted a million times. And sure, Hamlet might procrastinate for half the play about whether to avenge his father, but all his romps through faux madness and his eventual spurts of violence are so worth it… err… sort of. Stay in school kids.

 

waiting for godotWaiting for Godot– well since we’re on the subject of existential despair, we may as well go in for a penny in for a pound. And okay, this slightly surreal play is kind of the opposite of the realism theme I’ve been leaning towards here. Despite the strangeness of the play, however, it’s very clear that the themes it plays with- the passage between life and death- are very tangible issues. Some could say the most real of all. And of course, I could give any number of reasons for this being on the list- but what I will say is that what makes this play special is how it makes you feel alive with laughter one minute, and then, all of a sudden the warmth fades away, and you are left with nothing but a chill.

 

notes from undergroundNotes from the Underground– I actually studied this for a “Novel and the Collapse of Humanism” course (I know, cheery stuff). Here Dostoevsky explores the paradoxical nature of man- both alien and atypical of his society. It is a work of pure genius- exhibiting the internal chaos of humankind- as we struggle to find our place in the world (and if you’re in any doubt as to how seriously cool this book is, this 19th century book smashes through the fourth wall, like a Deadpool comic)

 

idiotThe Idiot– and yet it is The Idiot which probably takes the spot as my favourite Dostoevsky. I’ve mentioned time and again how I love the hero, Prince Myshkin (#relationshipgoals), because he is one of the most saintly characters ever written… and that’s his greatest failing. Which leads me onto my rather bizarre favourite thing about this book- it kind of fizzles out at the end- yes, it’s unintentional, but that’s what I like about it- it’s a failed book about failure.

 

judeJude the Obscure– okay, let’s be honest, if we’re going to talk “doomed from the start”, Jude really takes the biscuit. I’m not saying that this is a dark book, I’m saying THIS IS THE MOST DEPRESSING THING I HAVE EVER READ IN MY LIFE. I really don’t blame people for not liking this one to be fair- nonetheless, for me, this is one of the most memorable books I have ever read. I can never shake the images it has planted in my brain. So I guess all that’s left to say is: hey Jude, don’t be afraid… watch out for women who try to trap you in marriage, just sayin’

 

richard iiiRichard III– okay to leave off on a more positive note- let’s talk about someone who actually deserved to get their comeuppance. Cos let’s face it, from the opening speech, we can be certain Richard’s the baddie. And I know, I know, some historians and novelists have tried to rewrite the character in a more sympathetic light BUT there’s no following Shakespeare. He is “determined to prove a villain”- and what a villain he is! Too bad he couldn’t get hold of a horse.

Previous Posts:

All-Time Favourite Classics #1

All-Time Favourite Classics #2

All-Time Favourite Classics #3

I will admit that over the course of these posts I did add to this list, but I’ve decided to give it a rest for now. Anyway, have you read any of these? Do you plan to? Let me know in the comments!

All-Time Favourite Classics #3

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Yay I’m on a roll with these posts! (or I might have just done them all in a batch and scheduled them… but whatever) For those of you who are new here (hi!) or missed my last few posts (where were you?! JK 😉 ) I’m currently sharing my lovey-dovey feelings about my favourite classics. I went into how I was doing this in (probably too much) detail in the first week, so I’m not going to bore you with it- suffice to say this is part three of four and each week has a vaguish theme. This week it’s EPIC! (I mean the theme, not the post- though if you think my posts are epic, have a prize banana, I salute you 😉 )  Well sort of epics, some of these are just bunched into this group because they address BIG IDEAS.

count of monte cristoThe Count of Monte Cristo– boy this book has scope! From the ship docking in the opening chapter to the ever expansive horizons the protagonist treads, the reader is taken on quite the journey. On the surface, it is a wonderful adventure story- however simmering under the surface is a classic tale of revenge- one which holds many lessons.

 

theogony and works and daysTheogony– if we are talking scope, no story has more than the Theogony. We are talking the literal origins of the universe, from a Greek perspective of course (it’s upto you whether you take that literally 😉 ) And my goodness, Hesiod might have been one of the world’s most adept misogynists, but dude sure can spin a story. No matter how often I read this, I’m always entertained by these myths. Oh and Works and Days is great too 🙂

 

aeneidAeneid– I own the most atrocious translation of this- and yet this still struck me as one of the most powerful stories ever told- which says everything. If the majesty of such a story could shine through a translation (so bad it made me laugh out loud) then you can imagine just how good it is. One thing I love about it is how it manages to splice the basic narrative structure of both the Iliad and the Odyssey together, combining the two into one incredible tale. It may be technically unfinished- nonetheless it is one of the most tightly woven stories I have ever read.

 

war and peaceWar and Peace– I honestly never expected to love this as much as I did. For years, I saw it as little more than a challenge- but when I finally read it WOW– it blew me away. I was instantly wrapped up in the characters, the philosophical discussions, and the beauty of the imagery that crossed the boundary a translation often erects. Of course, it took a lot of commitment, yet ever since I read it, I’ve been itching to give it a reread (it did completely kill the adaptation for me though, cos nothing could live upto that level of epicness).

 

grapes of wrathGrapes of Wrath– speaking of language, this book has some of finest writing I have ever seen. I don’t care what you think of Steinbeck’s philosophy, no one can argue that the writing here is anything less than profoundly stunning. There are few books that have blown me away as much on sheer imagery alone and this is one of them.

 

TheGreatGatsby_1925jacket.jpegThe Great Gatsby– and yet another beautifully written book. Here, my taste for lyrical, flowery prose shines through unashamedly again. As I’ve mentioned before, I love the Romantics and Fitzgerald drew heavily on their seductive style. Ergo, I adore this book. And if that wasn’t enough, I find the study of human nature in this book so compelling- especially because the characters are so ridiculously unlikeable. (Yes, I love to hate characters sometimes)

 

eastofedenEast of Eden– I actually love this for very different reasons to Grapes of Wrath. Yes, it has a lot of the same skill in terms of writing and yes, it likewise has a magnificent scope. However, what I love about this is the family drama and mirroring of the Kane and Abel story at the heart of the book. It is such a fascinating exploration of humanity, I cannot help but find this one of the most compelling family epics in existence.

 

the chosenThe Chosen– moving from a story about brotherly and fatherly love, to one about friendship. This story is a gorgeous modern day allegory about two friends who grow from being enemies on the baseball court to best friends. What I loved most about this was how it tackled Jewish philosophy and struck at the heart of the universal question of baseless hatred.

 

daniel derondaDaniel Deronda– I know that normally people are especially fond of Middlemarch by Eliot- and that’s cool, whatever floats your boat. Yet while I’ve read it twice and have been struck by the characters both times, the provincial life setting prevented me from fully forming an emotional connection. This book on the other hand… I do not expect everyone to be as in love with this as I am, yet I was fundamentally blown away not only about how it had mature philosophical debates and drew realistic Jewish characters (in a non-Holocaust book! without being anti-Semitic!), but also how it managed to show that people are not simply their group identity, they are textured and complex (I know *shocker*)

 

heart of darknessHeart of Darkness– this book is a puzzle- and yet I enjoy cracking it. Layer upon layer of meaning is coated onto this slightly bizarre, tightly woven book. I do not know that I will ever get to the bottom of it- all I know is that there is something which compels me to read and reread it.

 

fahrenheit-451Fahrenheit 451– well I had a burning desire to put this on the list 😉 (gosh- apologies for that appalling joke, I am thoroughly ashamed of myself 😉 ) Seriously though, this is one of the most illuminating, powerful books I’ve ever read. The imagery from beginning to end is burned into my brain. With a grand vision, this book illustrates the true horrors of collectivism.

 

1984 book1984– while I often envisage Fahrenheit 451 as depicting Nazism, 1984 strikes me as the cold knife of communism. Twice in my life I have read this book and twice I have put it down with no intention of picking it up again. Not because I dislike it, but because this book shakes me to my core. The imagery is terrifyingly realistic, the messages echo across time and the book paves the way for every dystopia that follows. There is nothing quite like it.

Previous Posts:

All-Time Favourite Classics #1

All-Time Favourite Classics #2

So have you read any of these? Do you plan to? Let me know in the comments! This feature will be back again next week… for the last time! (well for now)

All-Time Favourite Classics #2

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Well hello again- and welcome back to my second week of ALL-TIME FAVOURITE CLASSICS. I went into a bit more detail last week about how I’m doing this, so in case you missed it, you can read that here. Anyhoo, in the interest of saving time I’m not going to go into all that again- just know this is the second in a two part series, and each week will have a loose theme. Speaking of which, this week’s theme is gothicy, supernaturaly, childhoody stuff… yes they don’t all go together, they just go together more than the others did (I’m not wedded to this theme idea guys)

confessionsConfessions of a Justified Sinner– this takes me back so much. As you may (or may not know) I went to uni in Scotland, so was lucky enough to study a lot of Scottish literature. This happens to be one of the most striking, underrated gothic stories I have ever read. I really don’t want to spoil anything- only give you a taste- there’s murder, there’s madness, there’s mystery and there’s potentially even devils… (it also makes me laugh, which I often forget and catches me by surprise every time)

 

Arkham cover D finalPicture of Dorian Gray– I have loved this book ever since I first read it. Then I read it again and again and again. It never gets old. This book has a little taste of everything- romance, tragedy, wit, moral questions, an intense plot… and all of that packed into a short space. This is actually something I’d recommend to virtually everyone, because I see something in it for every sort of person.

 

jekyll and hydeDr Jekyll and Mr Hyde– this is just a great story. Sure, I know there’s a lot of depth to it, yet what gets me every time I read this one is how dramatic the story is– which is great if you have to read it loads for uni 😉 No matter how many times I read it, I was never bored.

 

 

turn of the screw 2Turn of the Screw– I’m really not into creepy books, yet I’m glad I had to read this at uni. I love books that pit madness against the supernatural- so you’re never quite sure how reliable the narrator is and there’s a surprise at every turn. Admittedly, I’m easily scared and had to turn on *ALL THE LIGHTS* half way through, just so I could get to the end.

 

frankensteinFrankenstein– I know a lot of people aren’t keen on the writing style for this but OH MY GOODNESS I LOVE IT. It’s no surprise since it is rumoured to have been edited by Percy Bysshe Shelley himself and naturally I am a huge fan of the Romantic poets (especially the later set). The language is succulent and exquisite- it’s exactly the kind of lyrical prose I enjoy most. On top of that, the story is engaging, I was invested in the romance (I know, me and no one else) and I frankly love the moral questions it deals with. Incidentally, that leads me onto…

 

The_Golem_(Isaac_Bashevis_Singer_novel_-_cover_art)The Golem– the myth of the Golem is the said inspiration for Frankenstein’s monster- yet they are very different stories. Where the drive for creation in Shelley’s story is hubris, the myth focuses on love and fear. Bashevis Singer perfectly adopts those elements in one of the most beautiful and heartfelt books I have ever read. It’s short and poetic, tying history to legend. I adored this book and it led me straight into the arms of one of my mother’s favourite writers.

 

dr faustusDr Faustus– not only do I love the language in this play, I love the ideas at the heart of it. The puzzle of Faustus’ pride and the question of ambition have been something that’s fascinated me for half my life. I love the tussle here with literal devils, as Marlowe plays out the inevitable rise and fall of hubris.

 

 

macbeth2Macbeth– since we’re talking of hubris, what better play than Macbeth? I read recently someone saying they didn’t like it cos Macbeth’s an unpleasant human… well duh. The point is that it captures the fallible human nature in us all- the part which strives and the part which falls short. I love this play, partly because it captures that struggle in us all and partly because it’s got plenty of sheer entertainment.

 

lorna dooneLorna Doone– speaking of entertainment, I love this book. I know it’s not a technically perfect book and I doubt it’ll blow people’s minds given how obvious some of the plot points are- but back when I encountered this the first time, I’d never read anything like it and thoroughly enjoyed the story (incidentally, the BBC adaptation is no masterpiece either, but it sure is fun!)

 

armadaleArmadale– this is also a lot of fun. Like most of Collin’s work, it does have a slightly mysterious, dark feel, though it’s not supposed to be his best. It is, however, one of those books which has stayed with me for one reason or another- it could be the adventurous, exciting spirit, it could be the complex plot, or it could very well be that it has a villain beyond compare!

 

peter pan and wendyPeter Pan– if you want to talk about staying power, this book is pretty unforgettable. At this point, the character and story have slipped into common parlance, so I really have no need to explain the appeal of a boy who never grows up and who can fly! I will say that I happily admit to suffering from just a teensy bit of Peter Pan syndrome- and I make no apologies for that 😉

 

Alice's_Adventures_in_WonderlandAlice in Wonderland– ahh one of the wackiest books in history- I adore it! As nonsensical and eccentric as can be, it’s also highly imaginative and oddly relatable. I think I’d have to be “mad, mad, mad as march hares” not to love it!

 

 

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All-Time Favourite Classics #1

That’s all for now! Have you read any of these? Do you plan to? Let me know in the comments! I’ll have another of these next week!