The Obsession with Making Writing Real

thoughts orangutan

One thing I have to make clear before I get started is that I’m not saying “realism sucks”. Every genre or style has its time and place. As much as I love fantasy, I’m open to all forms of the genre and I also adore classics/literary/contemporary fiction etc (not to mention the fact I like my historical fiction as realistic as possible). So, let’s just begin by saying yes, realism rocks just as hard as fantasy. Glad we could get that out of the way 😉

What I do mean, however, is that sometimes striving for realism takes over. While glaring errors can take you out of a story, sometimes criticism of contemporaries can get a little nitpicky (like, whether or not a particular school has a netball team or whatever). And I’ve written at length about why I’m happy to suspend my disbelief for fantasy. More recently, there’s even been a particular obsession with real experience. Which, you know, can be a problem since not every book is (or should be) an autobiography.

atticus finch quoteFor starters, writing is often about putting yourself in someone else’s shoes. That’s kind of impossible if you’re never allowed to think outside your own bubble. And while I’m not saying poach anything you like, or that everyone is capable of doing this, some people really are amazing at putting themselves in the mind’s eye of someone totally unlike them (one of the best examples being Rowling’s depiction of abuse, when, as far as I know, she hasn’t experienced this herself).

The other huge problem is how subjective this can be. While one reader might give you the go ahead, another might say you got it totally wrong. This can be even more troubling when you consider the fact that even if you have the same experience, it doesn’t mean you relate to it the same way. It’s frankly horrifying to see authors attacked for writing about their own experiences- which happened to Leigh Bardugo recently over Ninth House. I’m gonna be real: I lean heavily on my own experience in my writing, so it strikes a nerve to see people lashing out at writers over this.frieda-norris-quote-sisterhood I shouldn’t have to point this out, because it is fairly obvious, but here we go: you can’t make claims about someone’s experience without knowing the individual intimately (and even then, it’s pretty rude).  In fact, I’ve had people do the “ugh you don’t know about this, so shut up!” routine to me over things I *definitely* do know about (though, of course, they don’t know that). I’d say it’s safer not to assume you know a stranger’s life story, but that’s just me 😉

What’s more, even if I’ve been critical of a book for being unrelatable, I find it really helpful to hear why other people got something out of it. Not everything can be relatable for everybody– so it’s cool if you disagree with me on something. It gives me a chance to hear another perspective.

Plus, a huge amount of this simply comes down to personal taste. That’s what I tried to get across when I wrote the post “Don’t Write X”- it’s just not possible to appeal to everyone- and that’s okay! I can accept, for instance, that some readers are into fantasy for the world building and complex systems- ergo hyper-realism is important to them. Just because it isn’t the case for me, doesn’t mean I get to rain on their parade and decide all books should be super fantastical. There’s room for both hard and soft magic systems! Similarly, I’ve heard one writer say they find it pulls them out of a contemporary if the names don’t match up to modern trends… whereas I’m all for the quirky names! Barring huge illogical inconsistencies and glaring errors, these things will always be hit or miss. It’s about finding the right readers for a particular book.

For me, books aren’t all about how precise they are; they’re about the endless possibilities they contain. And so I’m not going to obsess over the realism (especially cos even complex magic systems basically come down to *because magic* anyway 😉).

because magic.gif

So, what do you think? Is realism the be-all and end-all for you? If not, where do you draw the line? Let me know in the comments!

Calling Out Call Out Culture

thoughts orangutan

What with freedom of speech week coming up, I thought now would be a good time to start pissing people off *ahem* saying all the *controversial things* I’ve ever wanted to say. Starting with the fact that I HATE cancel culture… which I guess means I’m going to cancel myself with this post 😉

Just kidding- I know that the blogosphere is basically the sanest place on the internet and I’m probably just talking to an echo chamber of people who agree with me 😉 But you all know what I mean by cancel culture: those dumpster fires that rage online daily and seem intent on destroying everything in their path.

two minutes of hate
And people call 1984 too far-fetched 😉

I’m referring to the fact that many ordinary people are walking on eggshells for fear they’re about to receive their FIFTEEN MINUTES OF SHAME! I’m talking about the way people try to cancel YA for being too dark or daring to cover a controversial topic or the author saying something that strays from a rather niche-and-ever-evolving hymn sheet. Many of the articles I’ve included in my sources will give you examples, yet the one of the most striking is the curious case of Blood Heir, where critical advanced reviews promoted the incorrect idea that the reference to slavery in the book must inherently refer to the Slave Trade and therefore this was cultural appropriation (gosh, so many things wrong with that view, not least that slavery is endemic across history and an ongoing global issue). There was good news on that front recently, with the book now being scheduled for release in November (after people came to their senses and realised Zhao did *nothing wrong*), but not everyone that comes under fire lives to tell the tale.

Most authors can easily have their career ruined by these actions. No one is immune- I’ve seen the most famous authors and virtual unknowns attacked. And I’m often ASTOUNDED by how blasé so many creative people are about it (sometimes even being ringleaders in this regard). Too many seem to be kidding themselves that “oh well I believe all the ‘right’ things so they couldn’t possibly come for me”- when in reality I’ve seen the goal posts change a million times in the last few years. I’ve seen some books praised for covering difficult topics… and the next one condemned. The perceived *target* seems to be as guilty as the next person. All at the whim of select reviewers, social media activists or journos.

Now, far be it for me to criticise negative reviews! You all know I’ve defended them at length. No, I’m talking about targeted campaigns to get a book cancelled because of something (usually) one individual disliked about it. Which to me is a bizarre attitude- as Angela Carter said “Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms”– no two people will read a book the same way (I know, very death of the author 😉). And I think we all experience this with reviews. I know I can’t be the piles of booksonly contrarian that’s read a negative review and thought “huh but that thing they’re complaining about really appeals to me- ADDING IT TO MY ALREADY INSANELY LONG TBR!” (#bookwormlogic) That might even be why some authors seem to thrive off a little healthy debate.

let it goOf course if you had a problem with a book *wrestle with it, examine it, dissect it to your heart’s content*, but also LET IT GO! Because, not only are we all individuals who experience books differently, but it isn’t a healthy attitude to have such a visceral reaction. You know why I write negative (and to some extent positive) reviews? To get it out of my system. I think the thing, say the thing, move on from the thing- never have I thought “I’M GONNA GO ON A CRUSADE AND RUIN THIS AUTHOR’S LIFE!”

Shockingly, there are people who do think like that. Annnd this is the part of the post where I’m going to throw some real shade. Cos the agitators behind this know *exactly* what they’re up to. They think they’re getting good publicity and that no one could possibly think they’re the jerk. They think that the cover of social media grants them anonymity- and yet I’ve spotted a pattern with repeat offenders. While they may be happy to destroy careers on a whim, they like equally problematic things in other books (cos it’s pretty easy to have a little looksie at their goodreads 😉). Hypocrisy aside, there’s nothing wrong with them liking some books over others- the problem arises from them trying to act as the moral arbiters here. Because who the hell crowned them the king or queen of taste?! Most people rightly realise opinions are *SUBJECTIVE*.

Being the worrier that I am, I fear I’ll get a chorus of “name names” and “tell us who’s doing this”- but that is the antithesis of why I’m doing this post in the first place. I don’t see how turning the mob on these individuals will help calm things down. Besides, too often we’re so fixated on the named “criminal” we forget what we’re even talking about. Recently, I’ve written articles in response to some statements by famous authors and, rightly or wrongly, I chose not to include names. While I don’t want to rely on hearsay, I personally think it’s usually better to focus on their ideas and avoid the possible (totally unnecessary) author-bashing. Especially since the one time that I did name an individual for off the cuff comments, it ended up being a distraction to the point at hand. Naturally, this isn’t to say every journalist or commentator is wrong to do so, I just think sometimes it is possible to argue your point without making it personal.

As much as I hate call out culture, I know not everyone who gets caught up in it is an awful person. We’re all human (or in some cases monkeys) and we all make mistakes. But maybe, just maybe, it’s time to stop liking those tweets from people saying “let’s end so-and-so’s career”. Maybe we can stop posting and reposting the angry diatribes directed at individuals. It might just be a little too late in some other areas of life, but we can do better in the bookish community at least. Or else, all art will be dictated by the mob and books can be nothing more than drab, colourless, lifeless autobiographies. Sounds fun, doesn’t it? 😉

Other blog posts on the topic…

Katie @Never Not Reading – Book Twitter is Kind of the Worst

Nicole @Sorry I Am Booked – Bookish Thought Sensitivity: Cancel Culture in Literature

And elsewhere around the internet…

https://www.theguardian.com/books/2019/jun/15/torn-apart-the-vicious-war-over-young-adult-books

https://www.newyorker.com/books/under-review/in-ya-where-is-the-line-between-criticism-and-cancel-culture

https://slate.com/culture/2019/01/blood-heir-ya-book-twitter-controversy.html

http://www.papermag.com/cancel-culture-doesnt-work-2602364106.html

http://www.womensmediacenter.com/fbomb/the-problem-with-cancel-culture

https://www.nytimes.com/2019/08/17/opinion/sunday/cancel-culture-call-out.html

https://www.refinery29.com/en-us/2019/04/228847/own-voices-movement-ya-literature-impact

https://www.spectator.co.uk/2019/05/writers-blocked-even-fantasy-fiction-is-now-offensive/

Phew- that was a big topic to get through! And now I’m terrified of what everyone is going to say! Even so, this has always been a platform for free speech and I want to know your thoughts on the issue. So, do you agree with me that cancel culture goes too far? Or should I just head off to the gulag? 😉 Let me know in the comments!

In defence of classics- again!

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Prepare yourself, for I am about to say something *ground-breaking*, *momentous*, *lifechanging* even: classics are worthwhile and important. I know, I know, you can stop the applause now 😉 I’m pretty sure I’ve made my defences for classics before and talked about their upsides. Alas- this seems to be the perennial problem of our age that won’t go away. Every week or so, I still see people telling others not to bother reading classics. And I despair whenever I see someone using these horrible, terrible, NOT GOOD arguments. So, it’s about time to put down those swords, grab the much-mightier pen, and let’s break this down, shall we?

“They’re pretentious”- I hear many-a misled individual moan. Here’s the kicker- complex/beautiful/unusual language *is not* automatically pretentious. In fairness, I think there are multiple reasons for this misbelief, starting with the fact that they can be written in archaic language, which is less accessible to the modern reader. Now, where the mistake is being made is that using complex words and a style from 200 years ago DOES NOT mean the author’s intent was to impress upon you its importance in some hoity-toity way. Hard for the modern reader ≠ pretentious. A lot of classics were aimed at the “mass market” (as much as that existed) in the same way a popular paperback might be today. It is a truth universally acknowledged that poor people went to see Shakespeare back in the day 😉 This is not to say that there are no pretentious classics- BUT (and this will come as a shocker) classics are not all the same and come from a range of genres- as was brilliantly pointed out by Pages Unbound.

“There’s no benefit/it’s the same to just watch the movie”- erm no. I mean, I’m not sure I have to explain the difference between reading a book and watching a movie to a bunch of bookworms 😉 Let’s just say, I think we can all agree that there’s endless complexity when it comes to books, it stretches the brain and this is particularly important when it comes to children’s development. Because, yes, classics may provide more of a challenge, but that is really beneficial when it comes to education. You wouldn’t expect an athlete to get better only competing at the lowest level. The language of classics alone often makes a huge difference as well- you can’t just cheat the system by brushing up on sparknotes. There are so many literary devices that you miss if you don’t read it on the page. I’ve heard it said recently the difference is much like looking at a photo versus a painting- the depth is so much greater when you can see the layers for yourself.

“They’re elitist”- seems to be a very pervasive point of view at the moment. Unfortunately, it hurts the very people it pertains to help. Somehow, it’s supposed to help people from lower socio-economic backgrounds to tell them they don’t need to read classics- yet in truth this race to the bottom mentality stands in the way of self-improvement and stops poorer kids from levelling the playing field. Not only will it be impossible to out-compete people who have top-notch educations with this attitude, but it also means our societies will be less educated for it. In the words of headteacher and founder of the Michaela Community School, Katherine Birbalsingh “They are denying a decent education to black kids, because being able to understand Shakespeare is a right that my kids deserve and knowing who Mozart was and hearing his music is a right that they should be able to access.” We should be fighting for underprivileged kids to get good educations, not standing in their way! And on that note…

“They’re all written by old white men”- ahh the criticism that historically speaking Europeans were European. Aside from the what do you actually expect to come out of Europe? counterargument, I do think that there’s other problems with this outlook. One, you may need to re-examine the last few hundred years of the European literary canon; two, I will always advocate expanding your horizons and considering reading *outside* the Western canon. Go on, I dare you 😉 Though there are benefits of reading in the original language, which I’ve mentioned, you can still get access to the ideas and learn something new. But, even if we were to assume all classics were written by “old white men”, it doesn’t actually reduce their merit, make them less valuable or stop them being important for the reasons already stated.

“They put children off reading”- well, I wouldn’t say this is true for a lot of children, as Briana @Pages Unbound wrote about in: “Why I fell in love with reading because of old boring books”. I feel much the same way and many, many literature students will tell you the same thing. Unfortunately, I can’t say that every teacher will be brilliantly inspiring. Plus, there is always the matter of personal taste (although I will urge people put off by a few books not to throw out the baby with the bathwater). Now everything I’ve said so far might indicate that I want children reading classics, whilst playing the violin and sipping tea. Truth is though, I prefer to take the middle ground when it comes to the “what kids should be reading” debate. There should be a balance in children reading for pleasure and for educational purposes. As Krysta @Pages Unbound pointed out in her post “The Unacknowledged Nuances in the Argument for Choice in School Reading“, left to themselves, children will never pick up certain types of books and will nearly always go for the easy option. While it can seem quite prescriptive, the real trick with reading lists is to find a balance- a lot of teachers try to find a mix of well-written/enjoyable/imaginative reads etc. But they’ll also understand that there have to be progressively more challenging books. After all, in the words of George R R Martin:

a mind needs books like a sword needs a whetstone

Classics are the *ultimate* whetstone. And on that weird analogy, I’d like to ask you if you think classics have value? What other defences do you have? Let me know in the comments

In Defence of Girly Girl Genres

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A while back I did a discussion on genre snobbery and one of the things that sparked that debate was something I never actually got around to mentioning in the post: the way a lot of women’s fiction and frankly anything aimed at women is treated with derision. I ended up going in a different direction for that piece- though I still had *so much* to say on the topic- which is why we’re finally gonna get into this sugar-and-spice-and-all-things-nice (and totally not controversial) topic 😉 Hold onto your bonnets and try not to get your petticoat in a twist, I’m about to go into the trenches!

keeping fait review
Needless to say, I don’t agree with this review

It’s not uncommon to see denigration of media aimed at females- particularly when it has the audacity to exhibit typically feminine traits 😉 In fact, recently, I was reading a review for the TV show Keeping Faith, when I saw this inane and ridiculous criticism that it had too much “girly music”. To me, a show about a female lawyer, fighting for justice, whilst also being an incredible mum and genuinely caring person is pretty positive piece of media, but what do I know? Apparently, even showing the teensiest bit of femininity must be slated 😉

And I can hardly pretend this is the first time. On a grander scale, Taylor Swift has oft been criticised for being “too girly”. And we can all remember the “AHH TWILIGHT SUCKS!!!” craze- which one could argue ended up being just as hysterical in the end as screaming girls shouting “bite me Edward!” (okay maybe not 😉). Funnily enough, I’m not arguing that Twilight is somehow a fantastic piece of art, but it’s surprising to me that it got so much backlash in mainstream media in a way that other trashy things don’t. For instance, I never see the same level of mockery for James Bond- even though it’s equally as fanciful and has its own issues. This is not an invitation to hate on James Bond- I think everyone is entitled to enjoy whatever they want- yet this chill attitude seems to go out the window when it’s a girly thing that people are enjoying. And, as entertaining as it may be watching everyone from college professors to 50-year-old blokes ripping into something aimed at teenage girls, I do think it would be good if there was *a bit* of perspective here. Not only is this taking said media much too seriously, but I personally believe women and girls should be able to explore their fantasies in a healthy way, free from this ridiculous level of scrutiny and judgement.

BUT I hear many people in the back shouting, why are you complaining, don’t you get a bunch of superhero/action-flick/dramas with female leads nowadays? Well, I’m glad you brought it up, kind heckler, because that’s part of the problem. I’m gonna be brutally honest: these are mostly movies made for men, by men, with a female lead shoehorned in. Don’t get me wrong, I usually enjoy a good action flick, yet I’m not seeing how a woman portraying entirely masculine traits represents most real women. We are constantly bombarded by the idea of what women *should* want to consume and how we *supposedly* behave, all the while any sign of femininity is snuffed out.

Mean-Girls-GIF-Cady-Heron-Lindsay-Lohan-Falls-In-Trash-Can1

In fact, we only have to look at what became of the rom com in Hollywood- cos it’s not like they died a natural death. No, instead, producers told us we didn’t want them anymore and stopped making them. Oh really– we don’t want them, even though most women I meet talk about how much they miss the rom com era of the nineties. Oh sure- we don’t want them- despite the box office success of Crazy Rich Asians, popularity of Netflix rom coms and (remarkably) the surge of affection for the Hallmark channel of all things!

None of this is to stoke revolutionaries to *punch the air* and shout “LET’S TAKE AWAY JAMES BOND FROM MEN THEN!” Unfortunately, I do see this response and I find that attitude counterproductive. As I’ve already mentioned, I actually like plenty of more masculinised media and think that men should have just as much space for their fantasies. HOWEVER, that doesn’t mean I want girly stories pushed aside. I think we can move past the idea that “girly” automatically means “less good”. I want to see women being more fairly represented as we are. And that shouldn’t be a controversial statement.

orangutan in dress

Really good content on this:

The Attack on Femininity in Fiction: Masculine Women and Disempowered Men by the Authentic Observe – https://www.youtube.com/watch?v=Jumw30_j9cs&t=2s

Trope Talk – Strong Female Characters by Jordan Harvey – https://www.youtube.com/watch?v=ReE5n3jLdzk

Dear Stephanie Meyer by Lindsay Ellis – https://www.youtube.com/watch?v=8O06tMbIKh0

Let’s Not Judge People on Literary Taste https://franlaniado.wordpress.com/2019/04/17/lets-not-judge-people-based-on-literary-taste/

Chivalry Dying in Books by Kelly @Another Book in the Wall https://anotherbookinthewall.com/2018/03/07/chivalry-dying-in-books-wednesday-rambles/

Also, Strong Female Characters, Mary Sues and Manic Pixie Dream Girls- What the Heck is Up with Female Characters in Books, by me 😉 https://theorangutanlibrarian.wordpress.com/2018/12/09/strong-female-characters-mary-sues-and-manic-pixie-dream-girls-and-what-the-heck-is-up-with-female-characters-in-books/

So do you agree or disagree with my defence of girly genres? Let me know in the comments!

Is all art fanfiction?

thoughts orangutan

Last time, I talked about fanfic, I said I wasn’t going to go down the “all art is fanfic” route. Last time, I said I didn’t have a vested interest. Last time, I broached the topic, I lit powder keg. Well, *a lot* has changed in the two years since last time, so let’s see if we can have a conversation about this without things getting too explosive 😉

Now firmly in the age of reboots, remakes and retellings, I’ve found myself wondering where is the line between fanfic and art? Let’s look at the definition again:

fiction written by a fan of, and featuring characters from, a particular TV series, film, etc.

Disney pillaging its old animations and remaking them shot for shot… seems like fanfic to me. Looting the spoils of Marvel and DC… seems like we could call that fanfic. Buying off creators, like Lucas, and making derivative work… yeah probably fanfic (incidentally, many previous works have been relegated from canon, because of course only massive corporations have permission to make Star Wars stories…). Regardless of whether one likes these franchises or not, one could regard these “new” works as akin to a music cover, because they skirt around legal issues and (mostly) compensate the original creator (again, at the risk of going severely off topic, this does beg the question, why stop there?). Outside of the mainstream, I can see a resurgence of fanfic coming from disgruntled fans and critics, desperate to fix the decimated plotlines and endings for their favourite books/films/shows (*coughs* yes, this is a thinly veiled reference to Game of Thrones… *cough cough*).

game of thrones ending brienne meme

Additionally, art is conversation. I’ve long held the view that originality is overrated, since nothing is technically original to begin with. To return to Disney, I recently watched a few interesting discussions on Youtube about the origins of the Lion King. The gist of the debate is that Osamu Tezuka was inspired by Disney’s Bambi to create Kimba the Lion, which in turn Disney used to launch its own Lion King story (playing up its so-called originality in marketing).

lion king shock

While people have been quick to slam one side or the other, I don’t see this as a black and white issue. If you watch Kimba, you’ll quickly notice the visual and structural differences. Which pulls me away from looking at this as a controversy. Instead, it’s made me think about where we draw the lion (*ahem*) line on what constitutes transformative work. Once you consider whether its satire, if the characters are the same, if the storyline is similar enough, it might be possible to see a huge amount of creativity in fanfic. Not to keep using the same old examples, but there are plenty of success stories for fanfic-turned-mainstream, where all that needed changing before publication were the names.

Okay, so much of what I’ve said is in favour of the view that “all art is fanfic”. And indeed, these days I find myself much more sympathetic to that mindset. But I do still have reservations, because the statement is too much of an oversimplification of art. As much as art can be a response to other art and as much as all art will inevitably draw on its predecessors (as discussed in my piece on “intertextuality vs innovation”), they often diverge so much from the “original” that it can be hard to see the similarity. Take Legend by Marie Lu, inspired by Les Mis. Heck, take Philip Pullman’s His Dark Materials, which reflects on Paradise Lost. These works are so wholly different that I couldn’t reasonably describe them as fanfic. They have grown lives of their own, had adventures and rode off into the sunset. And, who is to even say where the original began? Or from what pieces the multifaceted novel is derived? To me, it is too complex an issue to be satisfied with the “all art is fanfic” refrain. As I’ve said before, if we water down the term “fanfic” it would cease to have much meaning at all. To me, it’s just art, with an asterisk that all artists are likely big ol’ fanboys and fangirls.

So, what do you think? Do you agree with me that all artists are fans? Or do you think that all art is fanfic? I’d love to hear your take!

Confessions of a (justified) mood reader…

 

thoughts orangutan

This has been a long time coming. I’ve been holding this secret inside and I don’t think I can keep it from you anymore: I’M A MASSIVE MOOD READER AND SOMETIMES I MAKE RIDICULOUS READING CHOICES! (okay a lot of you already knew that and so this was perhaps a little melodramatic 😉) Point is, it’s time I exposed my silliness to the world… (so that you can laugh/judge/commiserate with me!) Let’s get into some of the ways mood reading effects my reading:

piles of booksI am incapable of keeping to a TBR. I’ve talked about this before, but there’s a reason you’ll never see a proper TBR post from me (and if I do one, it’s more like: here’s some books I plan to read within the next decade 😉)

 

merlin books sharingOh and forget about keeping to hard deadlines- I like to have months to read an ARC, buddy reads are often a no-go and I will happily read a gift years after I get it (the exception being that I am almost pathological when it comes to library due dates 😉)

 

shameBecause of that I have so much TBR Shame! Often people will be impressed that I have only 300 books on my goodreads TBR… until I point out that I have wishlists with hundreds of books on every. single. book site (I don’t even think this is simply being disorganised- I think this is a way of tricking myself into believing my TBRs are not all exponentially long). And I only ever seem to grow them instead of making them smaller. It’s a real struggle to delete something off the list that I will never might not read- let alone pick them all up! (which to be fair would be impossible, since I seem determined to list every book in the universe, no matter how much it seems like these lists are never ending blackholes…)

 

hoarding booksI also hoard ebooks like there’s no tomorrow. I have books for every occasion and every possible mood- some of which have been on my TBR *forever and a day*. Here are just some of the books I’ve got on my kindle that I’ve been meaning to read for years:

 

(yes I am sneakily including these so I can guilt myself later 😉)

choose books2And yet I still struggle to find the perfect book for the perfect moment! I will spend ages between books looking at my shelves/overdrive/going to the library, trying to determine what’s right for my mood and choosing what to read next… which should be easy with options from *all the genres* but NOPE.

 

book loveBecause *lowers voice* nothing really happens if I make the wrong choice. Sometimes I could pick something up in a genre I don’t feel like and just put it down again. The rest of the time, I secretly know that I could probably choose anything and it wouldn’t actually matter if I thought I was in the mood for it- if it’s a great book, I’ll get in the mood…  

So are any of you mood readers? Do you have the same problems as me? Let me know in the comments!

Genre snobbery is a bitch

 

thoughts orangutan

I feel like it’s a becoming a biannual tradition for me to point out “sorry, you don’t get to dictate taste”. Sadly, there’s a reason this keeps coming up: every so often a member of the literati pokes their head above the parapet to denigrate genre fiction. Today’s “inspiration” is a famous literary fiction author who decided to give genre fiction a go, only to (rather hilariously) state they don’t like that particular genre… cos that makes sense. Now, without naming names, this is almost part of the course for literary fiction writer’s foray into genre fiction- they assert “but I’m not a genre fiction writer” in the same way one might say “I’m not a prostitute”. Well, as a genre whore, I take offence to this kind of language 😉 Aside from the blatant hypocrisy, I don’t think genre snobs have quite thought this through…

spaceFor starters, there is unfrickin-believable-out-of-this-world genre fiction. One of the funniest parts of this person’s argument was that they didn’t think that genre fiction explored humanity with any depth- LOL! Clearly, they’ve never read genre fiction cos there are *far too many* examples for me to list. The crux of this criticism is that they seem to think you can’t simultaneously write well and develop your world building- which is about as logical as saying you can’t eat a banana and ice cream at the same time 😉 The two are not mutually exclusive (in fact they go together rather well). So, if you’re going to judge a book by its cover, the joke’s on you. Especially because…

the greatest of all timeToday’s “genre fiction” could easily be tomorrow’s classic. Sorry to burst anyone’s bubble, but realism doesn’t always win out in the end or make it into the canon. And some genres (romance novels, gothic literature, even fantasy etc) do better than you think. Literary fiction stands the same chance of going down in history as one of the “greats” (regardless of whether the publisher slaps “modern classic” on the back or not).

you're not wrongThe customer may not always be right… but they’re not wrong! Let’s be real: you can’t be wrong about your own taste. Not only that, but most readers read genre fiction. The idea of going after the consumer is becoming increasingly popular- yet it doesn’t make it any less futile. A word to the wise- no one will be convinced to pick up your book just cos you said they shouldn’t pick up some other person’s book (in fact there’s a strong chance of reverse-psychology-ing them into picking up the one you told them to avoid).

party on dudesPlus, us genre sluts are having a lot more fun than the genre prudes. We’re not tied down by immature “you need to grow up” arguments levelled at adult YA readers; we’re not threatened by a bit of flirtation with genre bending books. We just dive straight into the whorehouse of endless tastes- otherwise known as every bookshop/library/personal collection ever- and glut ourselves on whatever’s on offer. Gotta say it’s liberating to let go of your inhibitions and just join the party. Don’t be shy, you know you want to 😉

Im outThat said, if you’re still taking yourself too seriously after that analogy, I have one last truthbomb to drop: no one is the GOD EMPEROR OVERLORD of taste. No one’s taste is infallible; no one gets to act like an authoritarian hack when it comes to literature. And I’m not gonna apologise if that’s hurt any egomaniac’s feelings for saying that. I’d say “anyone who truly believes that they know best about what people should be reading needs to take a long hard look in the mirror”, but that’s probably what they do all day. I’m sure their hand is sore from patting themselves on the back 24/7. I guess what I’m saying is I don’t have much time for anyone who thinks like this anymore 😉

And with that, I’d like to ask you guys what you think of genre snobbery? And are you a genre whore like me? Let me know in the comments!